KH 310 A L G

BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS

The KH 310 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version.

A SOLID BASS FOUNDATION, HIGH IMPULSE FIDELITY

With its powerful switched-mode power supply and tri-channel amplifiers, the KH 310 realizes sound pressure of up to 116.3 dB and thereby retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for even the most demanding impulse dynamics with no distortion or losses. The bass goes down to an impressive 34 Hz.

The closed cabinet design means a lower group delay. This results in almost the entire frequency range being reproduced at the same time; the transient response is precisely controlled at all times.

ULTRALIGHT FABRIC DOME OPTIMIZES MIDRANGE REPRODUCTION

The optimized design of the driver enables a pristine sound right down to the lowest bass regions. For most applications, the rich foundation offers enough bass extension to work cleanly on the mix without the necessity of a supplementary subwoofer. For demanding treble sounds, our own specially developed, powerful alloy fabric dome ensures distortion-free clarity in the high-frequency range. The fabric midrange dome captures the middle frequency range with the utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange domes.

THE PERFECT COMPLEMENT: THE KH 750 DSP SUBWOOFER

In addition to its outstanding acoustic properties this subwoofer offers functions for non DSP-based Neumann monitors connected (analog) to its outputs regarding the interplay with the following tools:

• Automatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac/PC)
• Neumann.Control – Free iPad®-App for setup, operation, and room correction of stereo systems via guided and/or manual alignment

HUNDREDS OF GOOD REASONS FROM THE NEUMANN PHILOSOPHY

The KH 310 has been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 310, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 310. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors here.

Production consistency due to individual hand alignment in final testing

• Any KH 310 is “pair matched” to any other KH 310

Optional robust metal grille

• Can be used to protect the drivers

DIAGRAMS

KH 310 – GROUP DELAY

MAXIMUM SPL AT 1M (RED: 1% THD, BLUE: 3% THD)

KH 310 – BASS, MID AND TREBLE ACOUSTICAL CONTROLS

KH 310 – FREE-FIELD RESPONSE

KH 310 – CUMULATIVE SPECTRAL DECAY

KH 310 – HORIZONTAL DIRECTIVITY PLOT

KH 310 – VERTICAL DIRECTIVITY PLOT

KH 310 – HARMONIC DISTORTION AT 95 DB SPL (PURPLE: THD, RED: 2ND HARMONIC, GREEN: 3RD HARMONIC)

KH 310 – HARMONIC DISTORTION AT 90 DB SPL (GREEN: THD, BLUE: 2ND HARMONIC, RED: 3RD HARMONIC)